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To Be a Writer, To Be a Novelist
R. Alex Whitlock
Kevin
Rant makes the
following declaration:
Real novelists make a living from their work. If you've not actually been paid for a novel, then please don't insult actual novelists by calling yourself one.
My first thought upon reading this was "Oh crap! Have I called myself a novelist?"
A
quick scan of my blog answers the question "sort of"... I refer to myself as an "amateur novelist" at one point and at another referred to Oliver Willis as a "fellow novelist," implying that I am one. In the case of the latter, even if the title is wrong (as Kevin believes) the association is valid (neither Willis nor I had been paid for our novels).
So, with that aside, is his criticism valid? Part of me very much believes so. Even though I have written three (unpublished) novels, I don't refer to myself as a novelist except with the "amateur" disclaimer or when basically pitching someone else's writing. The truth is that I would consider myself somewhat of a poseur for calling myself a novelist because I have yet to sell and get paid for one. Further, the term "novelist" implies a professionalism that I do not presently have outside of my current lack of publishing success. My novels are of a very personal nature and were not written with publication in mind. Maybe some day publication will be my aim, but I'm not there yet.
On the other hand, a novelist is somewhat that writes or has written novels. By that definition, I clearly fit. I set out the huge task of writing a novel, plotted and planned it, and executed it. The brainpower and time involved in this is not insignificant. It's not writing a book of free verse poetry of ellipses seperating a bunch of depressing words in all lower case letters. It's not even a collection of short stories, which are more difficult but don't have the all-or-nothing stakes that a novel does. My computer is littered with the first 20 pages of novels started but never finished - that many pages in short stories encompasses several and an easy "accomplishment fix". It's 150 pages single spaced pages devoted to thoroughly telling a story with not-just-cursory characters, themes, and so on.
But back to the first-hand, replace the word "novelist" with the word "writer" and I have a grievance very similar to Kevins. I can't tell you how many people I know who have called themselves "writers" without actually going to the trouble of... well... writing anything (or writing aforementioned poetry). My ex-girlfriend Lisa and I actually got into an argument about this. Many so-called "writers" only documented creativity is coming up with reasons why they haven't written anything. Lisa's was that while she was certain whatever she wrote would come out to the satisfaction of everyone around her - including big-house publishers - she was so much a perfectionist that she would truly hate it and herself for writing something so imperfect. Hers is an extreme example, but a lot of would-be writers seem to prefer the sound of the wheels turning in the back of their mind to the sound of rubber hitting the road.
So in that vein, I can very much understand where Kevin is coming from. While technically if they've written so much an email the folks in the last paragraph are writers, I am technically a novelist . It may be true, but it's inaccurate.
I get the (perhaps inaccurate, certainly convenient) impression that Kevin's grievance is with those that are more loud and self-congratulatory about their hobby rather than those that are more humbly proud of their work (such as myself). But as annoying as the "novelist" thing may be to him and the "writer" thing to me, it's possible that the bigger loser in the exchange is the person that's convinced himself he's bona fide novelist/writer without fully living up to their potential. My annoyance with Lisa and others is only partly that they claim to be what they are not, but rather that some of them
really could be great writers, but settle for simply developing the ideas in their head and never actually doing anything with them.
That makes me take a step back and look at myself. While three novels may in fact be quite the achievement for someone my age, I haven't made serious headway on a novel in two years. Furthermore, I have to wonder if a part of me is hiding behind the personal nature of my writing so that I won't have to face what is certain to be countless rejections from publishing houses in even a best case scenario (where I actually get published). Maybe in the same way that Lisa hid behind her perfectionism, I'm hiding behind the fact that I'm not a professional so that I can write what I want rather than what might be read beyond a circle of twenty or so.
Food for thought, anyway.
 
Observations
 
ALWAYS write what you want. If a publishing company shows interest and encourages you to make changes, consider them. But that first finished draft should be yours.
 
Reminds me a lot of the software industry. "Real programmers get paid for their work." Yet Free software (as in beer, but also in speech) has been around for a long time. Some very popular programs are free from charge. So, someone who programs as a hobby and gives away his work is less of a programmer than someone who is paid to do it?
Linus-
That statement reminds me of one from the movie "Finding Forrester." Sean Connery's character says something to the effect "Reading your first draft for the first time is a great feeling. Before 'THEY' take it and tear apart something that 'THEY' couldn't do in a lifetime."
 
Linus,
For me it's less about content and more about subject matter and format. Some part of the premise is completely incompatible with mass appeal (At Heaven's Door's jigsaw timeline, Slaughter's religious/anti-religious tones, and Something So Perfect's detached narrative). I'm not sure any of them could have been written another way and I'm not sure they can be altered enough to commercial appeal. Which is fine. Only Slaughter was ever intended to be sold, but at some point I crossed some particular lines with that one that make it more difficult.
I have some more "commercial" ideas floating around in my head that could be artistically satisfying as well. We'll have to see what happens. Mostly, though, I just need to figure out a way to get myself writing again.
 
Kavey,
I hadn't thought of the programmer angle. Since I don't aspire to be one that gives me a more objective outlook. I wouldn't have any problem (and wouldn't feel decieved) if someone that wrote programs in their spare time called themselves a programmer.
I guess with programmers, as well with writers, if you're paid for your work and want to separate yourself from the hobbyists all you have to do is say "I'm a professional programmer/novelist/writer."*
* - Technically, I have been a professional programmer and a professional writer. I got paid to write for the Daily Cougar and have programmed here and there during my career. But since neither was a focus of my job or a serious source of income, I'm disinclined to call myself either.
 
If you want some sort of jump start to your writing, you might want to check out nanowrimo.org and poke around in the forums. It's primarily a November thing, but a lot of other people also do the write-a-novel-in-a-month thing during the rest of the year.
It's interesting how different people define what it is to be a "writer" or a "novelist", but I have to agree that it is annoying when people who've never written anything co-opt those terms to sound self-important.
And if you want to get published, start sending in your finished manuscripts now! Who knows, they may be the next bestsellers and you'll have to face rejection some time. I've never submitted a novel before but I have sent in short stories. Rejection slips aren't all that bad--just start a collection of them.
-sya
http://www.gamalei.net/syaf...
 
I agree, I think you should send in your novels. I've only read an earlier version of At Heaven's Door, but even that was extremely good. It's hard for non-sci-fi to keep my interest, yet I had a hard time putting it down.
The jigsaw timeline is no problem if the writing is great, which it is. Send it in! As for the other novels, I have a feeling if I read them, I would say the same thing.
If you assume failure and don't send anything in, then failure you get. Why be afraid of getting rejected? You've already given a big one to yourself in the excuses for not sending in these novels.
Send them in!
You are definitely hiding behind your "professional" shield. No one is a professional novelist until they actually send in their work for publishing!
Send them in!
Why think that only 20 people would want to read them? If you personally know 5 or 10 people who read and liked it, wouldn't that mean that many thousands out there would probably as well? There are tons of publishing companies, try them all. If they all reject, you are no further behind than you were before.
Send them in!
Too many people, whether they write music or novels or anything, don't put their stuff out because "this is personal, why would anyone want to read/listen?" You are not so unique that no one can relate to you, otherwise you'd have no personal relationships at all. You relate to people, and you do so very well within your novels. People will read, but only if you give them a chance.
Send them in!
I have enough friends who are extremely talented and creative, yet don't let their creativity out into the world past their computers. Break the mold!
Send them in!
 
Sya,
I'm actually a NaNoWriMo alum from 2002 (
http://raw360.com/index.php...). I passed the previous two years for personal reasons. I'm going to see what I can do about this year. As far as turning in manuscripts, I need to get productive again first.
 
Adam,
I always appreciate your input when it's that complimentary :). AHD is in the least shape to be sent anywhere, really. It would need a massive rewrite not only for a publisher's sake but for my own. But thanks for the encouragement, I'll take it to heart.
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